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Terkel comments and presents 1968 Democratic Convention documentary. He is introduced by William F. Malloch, a composer at the Convention.
Using a Trobriand drum and harmonica, Ella Jenkins plays examples of call and response music with Studs. A few of her popular songs play between their discussion. Ella explains how her music came to be from the Chicago neighborhood streets with influences from her Uncle and other blues and folk musicians. Songs played include "Tahboo," "Miss Mary Mack," "You'll Sing a Song and I'll Sing a Song," "Come Dance By the Ocean," and "Dulce." Songs have been removed due to copyright restrictions.
Using past recordings, Ella discusses how she works with children to help them find their rhythms using call and response music and percussion. She explains the West African and Latin music influences within her own music. Music played includes Jenkins' own music such as "Miss Mary Mack," "Tahboo," and "Where Has My Little Dog Gone?" She also plays song written by Carl Orff and performed by the Chorus of the Children's Opera Group, such s "Pat-a-Cake," and "Name-Calling." Untitled West African music is also played. Music has been removed due to copyright restrictions.
Part 1 of this program begins with Studs Terkel reading an excerpt from the book "Giants of Jazz" , which describes Dizzy Gillespie's early life. Gillespie discusses the following: the state of jazz; his fellow musicians; jazz contributors; jazz fundamentals; and his tours abroad. Gillespie's "Groovin' High" is played towards the end of this part of the program.
Studs interviews David Diamond who is in Chicago for a concert at Thorn Hall. Diamond reflects on his family background and his exposure to diverse theater and movies of a variety of cultures that influenced his music. He explains his training and how he uses emotion and then structure to create his work. Studs and David discuss McCarthyism and its affect on performers and the personal affect it had in Diamond's life. The musical pieces are removed from this edited version of the original recording.
Russian composer Alexander Tcherepnin discusses his early upbringing, training, and composing bagatelles in Saint Petersburg, as well as the influence of his composer father, Benois family relatives, Russian/Asian/European cultural influence, electronic music.